Download PDF The Bill: For Palma Vecchio, at Venice (The Art Monographs), by László Krasznahorkai
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The Bill: For Palma Vecchio, at Venice (The Art Monographs), by László Krasznahorkai
Download PDF The Bill: For Palma Vecchio, at Venice (The Art Monographs), by László Krasznahorkai
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In The Bill, László Krasznahorkai’s madly lucid voice pours forth in a single, vertiginous, eleven-page sentence addressing Palma Vecchio, a sixteenth-century Venetian painter. Peering out from the pages are Vecchio’s voluptuous, bare-breasted blondes, a succession of models transformed on the canvas into portraits of apprehensive sexuality. Alongside these women, the writer that Susan Sontag called “the Hungarian master of apocalypse” interrogates Vecchio’s gift: Why does he do it? How does he do it? And why are these models so afraid of him even though he, unlike most of his contemporaries, never touches them? The text engages with the art, asking questions only the paintings can answer.
“László Krasznahorkai’s taut, almost explosive texts resemble prose poems more than short stories or conventional novella chapters, though they do not pretend to lyricism.”—Nation
- Sales Rank: #1689511 in Books
- Published on: 2013-11-15
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .18" w x 6.50" l, .20 pounds
- Binding: Paperback
- 32 pages
Review
“A writer whose characters often exhibit a claustrophobic interiority. . . Krasznahorkai delights in unorthodox description; no object is too insignificant for his worrying gaze. . . . He offers us stories that are relentlessly generative and defiantly irresolvable. They are haunting, pleasantly weird and, ultimately, bigger than the worlds they inhabit.” (Jacob Silverman New York Times)
“The Bill features one glorious, eleven-page spanning sentence about the Venetian painter Palma Vecchio. . . . The book itself spans thirty-two pages, and since it’s a very beautiful Sylph Edition, it includes twelve stunning color plates that serve to enhance Krasznahorkai’s complex, clever use of language.” (Typographical Era)
“László Krasznahorkai is a Hungarian writer whose long and dense works are abundantly furnished with allusions and experiences drawn from the author’s exposure to many cultures through reading or travel. The worldview presented stems from a long, painful, at times bloody national history, and from a particular linguistic context. . . . With The Bill readers in English can get a view of the vast Krasznahorkai forest that teems with the at times disturbing life forms that populate it. As we head into the months of leisurely summer reading, those looking for rich works might think about the somewhat new phenomenon of slow reading, and choose to walk slowly through the unfolding landscape of translated books by László Krasznahorkai.” (Winnipeg Review)
About the Author
László Krasznahorkai is a Hungarian writer living in Berlin. Three of his works have been made into award-winning films by the renowned filmmaker Béla Tarr: Werckmeister Harmonies, Satantango, and The Horse from Turin. He has written seven novels and numerous other works, including Animalinside, also available from Sylph Editions. George Szirtes is an award-winning poet and one of the world’s best known translators from Hungarian. Palma Vecchio (c.1480–1528) was an Italian painter of the Venetian school. Famous works by Palma include a composition of six paintings in the Venetian church of Santa Maria Formosa and Three Graces.
Most helpful customer reviews
6 of 6 people found the following review helpful.
A literate, cultured, postmodern entertainment
By R. M. Peterson
Palma Vecchio (b. 1480, d. 1528; otherwise known as Jacopo Negretti) was a second tier Venetian painter. At least three of his paintings portray an ample, fetching, blonde young woman baring a breast. Perhaps his most famous painting, "The Three Graces", is of three almost bovine young women in red décolletage. A phrase that comes to mind when looking at these paintings is "chaste sensuality".
The paintings are the focus and wellspring for THE BILL, a sprightly, sly, and witty sentence from postmodern Hungarian writer László Krasznahorkai. That's right, one cascading sentence, spread over fourteen pages. (Other pages of this pamphlet contain reproductions of the paintings themselves.) Krasznahorkai takes the point of view of an anonymous gent who has procured these models, these "not exactly fat but extraordinarily large women", for Palma Vecchio. Among other things, the narrator speaks of the amusing befuddlement caused by Palma's "look, don't touch" sessions with the women, "merely instructing the model in his quiet way, how she should sit or stand, and then he'd just look, watching how she looked at him, and then, after an age of waiting, would ask her to lower the left shoulder of her chemise a touch, or to ruffle up the folds of her dress a little more, or that she should uncover one breast, though he was always standing a good distance away, beyond touching distance".
I did not care at all for Krasznahorkai's contribution to "Animalinside", another joint art/prose publication from Sylph Editions. That was my introduction to Krasznahorkai, and I suspect that he is a writer who requires some getting used to. But the tone of "Animalinside" was malevolent, whereas here it is playful. Plus there are some intriguing doses of what might pass for philosophy: " * * * because there is nothing at all real about desire, desire consisting entirely of anticipation, that is to say the future, because, strange as it is, you can't go back in time, there's no returning from the future, from the thing that happens next, no way of getting back to it from the other side, the side of memory * * *".
THE BILL is an entertainment, but a literate and cultured entertainment that should not cause any embarrassment if spied by a visiting priest on your reading table. And what is "the bill"? One doesn't find out until the very end of that marathon sentence, but, if he has read that far and depending on how he interprets it, it might cause that priest some uneasiness.
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